Turner and the Tyne

After Joseph Mallord William Turner
Prudhoe Castle, Northumberland 1828

The etching, from Turner’s own painting and drawings was part of a series,  called Picturesque Views commissioned by publishers and financiers.

‘Although Picturesque Views in England and Wales was not a commercial success, today the series is regarded as one of the finest and as one of the most important made from Turner’s work. Andrew Wilton has described the subjects ‘as modern “history pictures” in which the common man is the hero’ (introduction to Shanes 1979), and certainly it is the relationship of man to the landscape which is the series’ constant theme. Unlike previous engraved series, Turner himself selected the subjects, which fall into a wide range of categories covering almost every aspect of his work as a landscape painter – coastal subjects, urban and industrial views, English pastoral scenes, and views of cathedrals and abbeys. Many of the subjects were adapted from extant sketches or watercolours, although thirteen were based on new material gathered by him on a tour to the Midlands in 1830 undertaken especially for the project. In the variety and richness of its subject matter, and in the breadth and universality of its vision, Picturesque Views in England and Wales surpasses all the other series in which Turner had hitherto been involved. And the engravings are some of the most sophisticated and accomplished ever made after his designs.’

from: Tate website: Online Catalogue entry.



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